Logan 2017 (2017) Other movies recommended for you
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Plot: In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces. Runtime: 137 mins Release Date: 03 Mar 2017
Logan is everything you wanted it to be and more (by badmanlykme)
Logan is the 2017 movie everyone has been anticipating after two great trailers and a R rating it delivers a surprising amount of heart to characters we have grown to love and know and also balancing a surprising amount of action within the first and third act climax, its violent but not blood for blood sake every cut is with reason.Logan presents us with Logan Wolverine , Professor X and Laura X-23 and by definition its an escort mission involving X-23 but shes more capable than Logan and Professor X thinks and shes able to fend for herself. Logan is old and a grizzled shadow of what he <more>
once was and by going on this mission he unlocks some of the old wolverine inside of him and we see bursts of that throughout the movie, Logan also begins to realize things about himself through the vision of this little girl because they have striking similarities.Every scene in this film feels necessary from the character development to the humor and action nothing is forced everything comes off natural which is a breath of fresh air and I was very pleased with it, I believe that this movie will be very well received by fans as it treats its characters with such care and embarks on an emotional and satisfying conclusion to Hugh Jackmans Logan Wolverine .
Brutally violent, emotional, and character-driven, "Logan" is the Wolverine film fans have been waiting for (by TheJediWay9)
"Logan" is directed by James Mangold and stars Hugh Jackman for one final go around as Wolverine. With an R Rating secured, something the previous two Wolverine films should have had, "Logan" was bound to be fantastic. It wasn't fantastic. It was phenomenal.If you are going into "Logan" expecting every scene to just be Wolverine tearing people to shreds you'll be thoroughly disappointed. This is definitely not an action film. There are action sequences in the film, but they are not the main focus of the movie like the previous 2 Wolverine movies tried to <more>
make them be. "Logan" is a grounded film, a film that really takes its time to tell its story and to develop its characters. It's a character-driven film, and it probably has the most characterization in an X-Men film to date. We get enough of Wolverine's backstory within the first few minutes to really become attached to him if we already weren't . We learn more about Professor X and what he has been doing, and then there's this little girl, who probably should be annoying, but luckily isn't and that was a sigh of relief. This girl, Laura, is the star of the show. It is really "her" movie. All of the sequences with Laura were riveting. There was that sense of mystery to her character that you wouldn't really expect from a film like this. You don't ever really know what her next move is going to be. Her motivation to find a safe haven is so well felt in this film that it just brings you a sigh of relief that there is still a sense of good out there in the world of this film where everything seems dark, bleak, and hopeless. Hugh Jackman's performance. Yeah the dude gave it his all. This is by far Hugh Jackman's best performance as Wolverine. We've never seen Wolverine this vulnerable. He's old, he's broken down, he's beaten. He can't heal like he used to. The conviction from Hugh Jackman in this movie was just spot on and really captured the ways Wolverine felt at certain moments. It added layers to this film. When Wolverine gets into a fight, Hugh Jackman is so good in these scenes it's like he got into a fight with the filmmakers on set.This film does not hold back from a violence standpoint. From the get go, you know what type of movie you are in for. It is brutally violent, by far the most violent X-Men film w have gotten. Wolverine hacks, claws, and slashes his way through skirmishes with blood, guts, and gore flying. If this is what you had always wanted from a Wolverine movie and haven't gotten it up to this point, well this movie gives you all of that. From a violence standpoint, the violence is there when the film calls for it. It is not violent for the sake of being violent. This is a film that puts its characters and story first before anything else, with violence being a secondary element to help propel the story along and to create tension. It is in the scenes where it should be. If this were just an all-out 2 hour and 20 minute "hack-and-slash" fest this film would have no depth to it. It would look cool, but giving Hugh Jackman the proper sendoff was what was more important in a film like this.This film at times gets downright emotional. The final scene of the film makes you wanna cry. You care about these characters, you are invested in them. You don't want to see them put in harm's way. Even in the scenes where the film may feel a bit slow, the final act of the film is the payoff. This is where everything really meshes together with a force, creating a pulse-pounding, edge of your seat final sendoff for Hugh Jackman as he retires from the role. This is by far the best Wolverine movie and possibly the best X-Men movie to date. I haven't decided yet. It's up there, and it deserves to be. Everything payed off in this film. It is emotional. It is character driven. It has heart. It is emotional. This is everything anyone could have wanted in a Wolverine film.From me "Logan" gets a perfect 10/10.
If there was ever a comic book movie deemed worthy of perfect, Logan is it. (by trublu215)
The word 'perfect' is very objective especially when it comes to film. While Logan may not be a perfect film, it is most certainly a perfect comic book film. It is a masterpiece of the most epic proportions and leaves us with a brilliant swan song for producer and star Hugh Jackman in his final outing as Wolverine. The film, directed brilliantly by James Mangold, is a two plus hour comic book fan's wet dream as we see the version of Wolverine every fan has wanted to see for nearly two decades. While many will be very sad to see Jackman step down from the role, he couldn't have <more>
picked a better or more satisfying film to end his cinematic legacy with.The film takes place in 2029 and shows the world in shambles. Mutants are nearly extinct, water is scarce and the world is just an overall wasteland. This is where we find Logan. He is a limo driving cantankerous caretaker to an even more cantankerous Professor X, who is now suffering from dementia and seizures. He is a borderline alcoholic suffering from a mysterious illness that limits his mutant abilities. Due to this, he lives this quiet life until he meets a young girl who he feels he must protect. Without giving too much away, there is much more here than I can go into but I will say, if you are a fan of the Wolverine comics, this film will bring a tear to your eye. This is probably the most faithful adaptation of a comic book character EVER, Marvel and DC combined. The way the story goes, the way Logan behaves, the selflessness and the rage, this is an all around realized version of this character. While it may have taken a little longer than it should have, this film was worth the wait. James Mangold does a fantastic job at creating the world Logan knows now. This is more of a film like Mangold's 3:10 to Yuma. It is bleak, violent and absolutely heartbreaking. This is far from the PG-13 character we're used to. This is a foul mouthed, miserable and very VERY bloody rendition of the source material. This is a film very much like The Guantlet or Badlands, a crime thriller and on-the-road drama. It very much embodies the look and feel of a film from the mid-70s and it plays to this very well. The performances in this film are amazing. Hugh Jackman's performance here is the best as the character and may be one of the best of his career. He is miserable and broken in this film and to see him like this as the character, it is bittersweet especially because Jackman has been so attached to this role. If he hurts, we hurt. If he's mad, we're mad. It is a true testament to Jackman as an actor to make his audience feel this connected to someone who is, by traditional standards, completely unrelateable. Boyd Holbrook brings a sinister performance to this and continues to build a very impressive resume. Holbrook is someone who you'll love to hate. The real standout performance here is from Dafne Keen who plays Laura. Without giving away any spoilers, she is BADASS in this film and even gives Logan a run for his money on the brutality.Overall, Logan is a perfect comic book adaptation that is as heartbreaking as it is visually stunning. Mangold and Jackman create a special film with this that should be talked about for years to come. Believe the hype, Logan is a seriously amazing comic book film that just may be the best ever made and embodies the definition of a perfect adaptation.
A fine, fitting farewell to an iconic character, LOGAN is one of the best superhero movies ever made. (by shawneofthedead)
Let's cut to the chase, shall we? In every beat, every frame, every moment, LOGAN feels like the Wolverine movie Hugh Jackman has been waiting and training for 17 years to make. Set free of a PG rating, this wildly kinetic film has plenty of gore, action and violence pumping through its veins. But what makes this one of the finest superhero movies ever produced is the big, messy, somewhat broken heart beating at its core. Set in a grim near-future where very few mutants remain alive, we meet an unthinkable incarnation of our favourite enclawed superhero: one who's decidedly past his <more>
prime. This is not the near-immortal Wolverine we remember, but Logan Jackman : a broken, far older man who feels the weight of every wound inflicted upon him. His once- formidable body – tattooed with scars that aren't healing as fast or as well as they used to – seems to be failing. It's only his determination to keep the ailing, ageing Professor Charles Xavier Stewart safe and alive that never falters. The film's plot kicks into overdrive when Logan's fate becomes entangled with that of Laura Keen , a close-to-feral young girl who brandishes claws and fury as fierce and lethal as Logan's own. As the unlikely trio go on the run, we see echoes of Logan himself in Laura's terrifying rage and the tentative emotional connection she forges with Xavier. It's one of many smart moves on the part of James Mangold, who does double duty as director and co-writer. Bringing Laura into the picture allows him to explore Logan's trauma, regret and hope through the filter of this pint-sized powerhouse's origin story.In effect, Mangold has placed an intimate family drama squarely at the heart of this ostensible blockbuster film – strip the characters of their superpowers and LOGAN would still pulse with plenty of heartbreak and humanity. Logan keeps dragging himself through the world when one suspects all he wants to do is die. Xavier grapples with his own frailty as his once-sharp mind deteriorates and betrays him, again and again. Laura is a tough, tender mess of contradictions: a victim of horrific abuse but also a warrior in the making. Watching them interact – fighting, screaming, arguing, glaring and, once in a while, forgiving – will elicit laughter and tears lots of tears , in a way that no other superhero film to date has quire managed.That doesn't mean, however, that LOGAN is an entirely joyless, sombre affair. Far from it. It proves, quite conclusively, that films in this genre can plumb the darkest of psychological depths while finding welcome ways to leaven the misery. Note: this is something Zack Snyder would do well to learn as he continues to expand DC's largely mirthless cinematic universe. Mangold threads moments of genuine humour into the proceedings – from casual shoplifting and runaway horses, to an ornery old man who refuses to take his pills. The fast and furious action beats in LOGAN are also quite delightful to witness. The violence that's on full, bloody display is dark and horrible, but somehow fitting for this film in which there really are consequences for battles fought and lost. It's only when you see Logan's claws plunging into flesh, shearing cleanly through meat and bone, that you realise just how neutered and family-friendly his earlier outings were. There's a slow-motion sequence halfway through the film, as Logan struggles to get to an embattled Xavier, that's gritty and beautiful to watch – as thrilling as that scene-stealing Quicksilver moment in X-Men: Days Of Future Past. And it goes without saying that watching Laura gracefully spin and slice her way through oncoming attackers manages to be terribly wrong and wonderfully right at the same time. To be quite frank, none of this would work without the incredible cast, all of them doing award-worthy work that will, sadly, be overlooked because their characters have such silly things as 'powers'. It's truly unsettling to watch Stewart dig beneath his natural gravitas to find the shaken core of a Professor X who's semi-consciously losing grip of his mind – the best and most dangerous mind in the universe. Keen is a revelation. Grabbing this breakout role by the throat and making it very much her own, she somehow manages to convey Laura's childish fragility and overpowering strength, often in the same breath. And, finally, there's Jackman. He's been training for and playing the role that catapulted him to global stardom for 17 years now, and he brings everything he has to this final outing as Logan. He nails Logan's physical tics, of course: from his grizzled and aged demeanour, to his rattling cough and copious drinking. But Jackman also takes delight in unearthing the dark sadness at the heart of this once invincible, now vulnerable man. There is a hope and purity in Logan that doesn't always show through his wisecracks, but it shines brightly and unexpectedly here – often in the film's saddest moments. There are a handful of things about the film don't work quite so well. The main antagonists, played by Richard E. Grant and Boyd Holbrook, are largely forgettable – there's not much that defines them outside their nefarious goals. As many viewers may be turned off by Logan's relentless misery and eye-popping violence as those who welcome it.But this doesn't detract from the fact that LOGAN is a remarkable achievement. It manages to be several things at once: a bruising action film, a tender family drama and an intimate character study, liberally shaken through with comic-book sensibilities and a Western or two. If Jackman really is hanging up his claws for good, there could be no better way to bid farewell to one of Marvel's most enduring and appealing characters.
LOGAN - SPOILER FREE REVIEWAs most of you are aware I have not been a huge fan of the latest X- Men outings, but THIS WAS AWESOME!In a rather bleak entry we see a Post X-Men Logan, something has happened and the mutants no longer exist or there is a few of them out there. Director James Mangold chose to make the film almost colorless with much, much more character development than previous Wolverine and X-Men movies. We see a tired character that no longer belongs in a world that has feared him for over a century.While Hugh Jackman in his last outing as Logan does an amazing job and proves <more>
once and for all why NO ONE ELSE can ever be Wolverine, the supporting cast does a superb job as well starting with Sir Patrick Stuart who returns as Charles Xavier, Boyd Holbrook Netflix's NARCOS as an astounding and dangerous antagonist and newcomer Dafne Keen who is a rather sweet but incredibly deadly Weapon X-23.The movie is filled with gore and violence, but it does not feel forced at all in such an obscure movie. There is a rather new trend in Comic Book Movies after DEADPOOL, make them as brutal as possible, and while this started in the 90s with THE CROW and BLADE it has gained some track and more R Rated CBM are being developed as we speak.I HIGHLY recommend it.
Hugh Jackman's swansong is as beautiful as it gets (by Dhimanverse)
James Mangold's Logan 8.5/10 About forty seconds into the movie, you confront a bloody Logan who isn't able to stand up while puny thugs decide to assault The Wolverine. And somewhere deep inside you feel a little uncomfortable. Probably because all you have seen Hugh Jackman do in the previous nine installments is watch the healing and indestructive Wolverine fend off anything that weakens him with utmost ease. It all fall aparts in Logan, Wolverine's swansong and an enigmatic crossroad of fear, uncertainty and reality. Wolverine is at his most vulnerable self here and yet far <more>
more courageous than all the rest of the X Men movies put together. And this is what makes Logan an extremely compelling watch; the chance and ability to finally empathize with a 'superhero' in a much finer sense and to witness whether they possess the same fortitude once their 'gift' has been taken away from them. Logan, set in 2029, narrates the endeavour of Wolverine, as he drives through the rocky, dusty terrains of El Paso with Laura, a mutant, blessed with the same powers that he has who needs to be sent somewhere safe. Along with her is a rugged, dying and somber Charles Xavier who wants to make sure that Logan is true to his word. Donald Pierce played adequately by Boyd Hollbrook is a raging current who needs the mutant and spreads considerable blood without any account of collateral damage. The repeated encounters take a toll on Logan's already dying self and even if he doesn't show it, over the course of time, he starts developing a bonding with Laura. He finds within her, the same embodiment of rage that turns people into monsters and sees Laura waging off the inevitable with a silent grace. The relationship which Laura and Logan share has several layers to it and can be interpreted in a much wider canvas. That's for another day. The influence of nineties western classics on the Logan is clear and critical. The homage is directly linked when Charles watches scenes from the 1953 classic Shane, and the lines are repeated again in a final scene. The dust symbolizes the ruins the mutant have brought upon themselves in their ideology of helping mankind marking their own destruction. Patrick Stewart is remarkable as a Xavier who is on the brink of death, set upon the call of epileptic seizures that capsize the lives of anyone near him and there is nothing he could do about it. All Xavier wanted his whole life was to stop people from getting hurt, and in his final moments he cannot stop himself from hurting people. This irony is a powerful strike to the entire genre which relies heavily on willing suspension of disbelief. Everything dies in the end, it's all about the manner in which it is achieved. Mortals, superheroes, they all do. Hugh Jackman could have become a lot of other things, a fine actor, if his brooded look would not have been entirely associated with Wolverine his entire life. And even if he strutted and limped along the way, in Logan he delivers his finest performance. Period. Every scene is a rave emotional experience and comes with a satisfaction of being content if not necessarily happy. He is in pain and so are we, and the audience agrees to be a part of it sailing across in the journey. Logan becomes an imperative movie in changing the face of the superhero genre. The need and allowance of superheroes to be vulnerable and uncertain instead of omnipotent and sarcastic is something I'd been wishing for a while. In Logan, James Mangold manages to capture every element which thrives on the edge of this conflict and the swansong he creates, becomes a painting. It is a magnum opus, a bloody opera and a massacred theatre room with audiences still lying out for view. And yet, it is beautiful.
The best X-Men film alongside First Class. It felt gritty, it felt real with a sense of dread and hopelessness you don't often see in this comic-book blockbuster adaptations. It should be praised for doing things differently and really pushing the edge with what can or can't be done in the genre. The triangle between Logan, Charles and Laura works as the driving force of the plot, and is very well developed. Logan's character arch is quite pleasant to watch, though obviously predictable. With that said, the acting is clearly masterclass. You can feel the dilemmas, the emotions and <more>
feelings that the characters are put through, specially those three. And another thing it does really well is alluding to a previous event - the Charles incident - but never fully explaining it to the audience, leaving you wondering. The action is nothing like you'd expect from a tenthpole - the R rating really makes up for wonders - being quite visceral and impactful. "Logan" probably deserved a better villain, although one could argue that the real villain here is not the typical multinational corporation, but the inner demons of the characters. Demons that prevent them from living albeit normal and somewhat stable life.
Solid and entertaining effort, better then the rest of the Wolverine stand alone's. (by silverkelt)
With a bit more depth and dramatic flair then its predecessors, this is perhaps one of the best three or four superhero movies ever made, however it really could've explored those depths a bit further and flushed them out. While, I appreciate the effort, those giving this movie a ten , seem a bit enthusiastic about the overall scope of this film. At the same time, I will find it hard to believe, anyone , could in reality bring The Wolverine more to life then Hugh Jackman did, some actors, seem born to play certain roles. Overall? Worth the Watch!
Very nice action-drama movie (by tsilochristosgiorgos)
Logan is a film that gives an end to a wonderful character like Wolverin. All characters must have an end to be completed. Congratulation to the producers that knows when it the right time to end a francise.Very good action-drama movie with the girl be a nice surprise.