Moonraker(in Hollywood Movies) Moonraker (1979) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Moonraker on your mobile, tablets and ipads
Plot: James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. Runtime: 126 mins Release Date: 28 Jun 1979
A brilliant Bond film that is highly underrated! (by john-597)
"Moonraker" is the most unfairly criticised of all the Bond films. The 11th film in the series and the fourth starring Roger Moore, "Moonraker" works very well for a number of reasons. As Ian Fleming's original novel written in 1955 had become too dated to translate to the screen, the producers decided to capitalise on the sci-fi craze started by Star Wars, and so created a spectacular space-age adventure where Bond himself journeys into outer space.Whilst this film was certainly inspired by Star Wars, this is not meant to imply that "Moonraker" copies <more>
directly from the former. Don't forget that only the last 20-30 minutes of the film takes place in space. Although the laser battle looks dated by modern standards, it is still a classic slice of Bond action, that, as one reviewer has stated, compares with the underwater battle in "Thunderball". And on that level it works superbly. What I especially like about "Moonraker" is the way it glides smoothly from one action sequence to another. This way, there's not only no shortage of thrills, but an overall level of consistency in the storyline is maintained, where Bond hops across the globe to Venice and Rio, for example uncovering clues as to the disappearance of the Moonraker space shuttle. On the way, he survives the customary assassination attempts by the bad guys Drax and Jaws , and then at the end of the film all the clues piece together to complete the jigsaw. It's steady, consistent storylines like this that prove the key to a successful Bond film.Purists often accuse "Moonraker" of being too stupid. Although there are some pretty outrageous sight gags, the film still retains its enormous appeal. Certainly, "Moonraker" is the most light-hearted Bond film, and it's quite clear that Roger Moore was enjoying himself tremendously here. His performance in this escapade certainly brought a smile to my lips.There's also a wonderful cast. Drax is quite possibly the best Bond villain. His one-liners are great and he is certainly not short of ideas on how to dispose of Bond. The beautiful Lois Chiles proves to have the right qualities as an astronaut/CIA agent, and she is a worthy ally to 007. Bond's first romantic encounter Corinne Dufour Corinne Clery brings a lot to the film. Richard Kiel makes his encore performance as the steel-toothed giant Jaws. After his superhuman appearance in "The Spy Who Loved Me", Jaws plays more for laughs this time round, but his Roadrunner/Wile E. Coyote-type battles with 007 are still entertaining. There's also another henchman, Chang Toshiro Suga who provides more credibility if somewhat less invincibility in a superbly staged duel with Bond in a glass factory."Moonraker" also sees John Barry at his composing best. He provides a number of rich, atmospheric tracks that perfectly reflect the film's outer space theme. Shirley Bassey's third title song isn't quite as good as "Goldfinger" but better than "Diamonds Are Forever", and is certainly as good as Carly Simon's song for TSWLM."Moonraker" has often been placed at the bottom of the Bond spectrum. It doesn't belong there. It has everything a successful Bond film needs: a great plot, superb villains, exotic locations, beautiful women, brilliant special effects for which visual effects maestro Derek meddings received an Oscar nomination and action by the bucketful. There are scenes which generate genuine suspense and which feature awe-inspiring stunts in mid-air and on water. The space scenes are well done and all aspects of the space shuttle look true to life. In summary, "Moonraker" is a brilliant film in its own right and should rank up there with "Goldfinger" and "The Spy Who Loved Me" as one of the best Bonds ever made. I strongly urge you doubters to take a second look.
Please, don't judge me too harshly, but I love Moonraker, the peak of all things Roger Moore. Never again would the Bond films be this over the top or overtly silly, but the truth is that Moonraker does it right. It will never win awards for being the most subtle Bond film ever made, but it should not be trashed in the way that it usually is because deep down Moonraker is just great fun. Roger Moore's Bond is just fun to be with, the on going joke that everytime Jaws tries to kill Bond he almost gets killed himself, complete with close ups of his exasperated face are brilliant not <more>
subtle, but guaranteed to get you chuckling and one of the loveliest Bond girls, CIA agent Holly Goodhead. The script here is definitely not in the same league as the likes of From Russia With Love, The World is Not Enough, Licence to Kill or For Your Eyes Only, but Bond films never set out to be thought provoking pieces of art, they are meant to be grandiose fun pieces of entertainment and if you take Bond films on those levels then Moonraker succeeds admirably. Sure none of the acting is award worthy, and its frequently over the top in every regard. Over the top humor, over the top action sequences a fight scene in a glass shop sees every bit of glass get destroyed while the space sequences features a gigantic space battle complete with laser beams.However there is a lot to like here. The pre title sequence is superb, featuring some of the best stunt work you will ever see in a pre-Brosnan Bond, the special effects are magnificent and lastly John Barry's music is quite simply the best he has ever come up with. For a film so over the top his music is beautiful and would set the hallmarks for his future scores. The sweeping orchestra and beautiful theme song by Shirley Bassey are classics.Once again I end my review with a note not to judge me, but Moonraker is simply wonderful entertainment and one of my favorite Bond film of all time.
It's interesting that some of the most beloved Bond films are also some of the worst Thunderball, Diamonds Are Forever, For Your Eyes Only , and some of the most reviled are among the best On Her Majesty's Secret Service, Moonraker, The Living Daylights .This movie set a new high in entertainment value when it was released in 1979. It was the necessary upgrade of the franchise in the new era ushered in by Star Wars a couple of years earlier. It preserved the best of the genre espionage intrigue, plot twists, Bond mystique, beautiful women, gadgets, humor, haunting cinematography, <more>
and mesmerizing music , but brought them out of the gloomy and cynical Cold War atmosphere and into a more futuristic and optimistic format. It kept the Bond franchise fun at a time when the standards for fun had taken a quantum leap.Roger Moore does a nice job in his last credible portrayal of 007. Alas, his age became increasingly distracting starting with the next outing.A lot of fun. Deserves much more credit than it is usually given.
My favourite Bond film. Features some of the better-looking of Bond women. Not very popular with the critics. How can you like one Roger Moore Bond and hate another? They're all great. One of these morons even wrote that "Moonraker" is too absurd, with its plot of outer- space adventure. You've gotta be kidding me! In nearly every single Bond film he saves the world or just a couple of big cities, on his bad days , and in each and every one of them he survives in the most improbable ways, nearly single-handedly destroys whole crime empires, and gets laid with every single <more>
girl that he fancies. And then they pick on "Moonraker" for being short on logic and realism! They don't mind him saving the world from the Earth's ground, but it bothers them when it's outer-space based. Go figure. Film critics are MORONS.
This is definitely on of the best Bond movie ever! 'Moonraker' is usually sniffed at by Bond buffs, who regard it as the nadir of the Moore films, but I love it. As a strapping lad growing up in the '70's, I always made a point of seeing the latest Bond, and having fish and chips with my mates afterwards. We didn't care if the films were faithful to Fleming, if there was too much humour, or if Roger Moore's acting was wooden, we went to have a jolly good time and did. We'd seen Connery's Bonds on telly but for us, Roger Moore was The Man. Suave, sophisticated <more>
and debonair. On leaving the theatre we'd attempt to recreate Bond's fights, usually resulting in one of us getting cautioned by the police. And the gadgets! 'Moonraker' outdid them all. I once tried to build Bond's wrist-dart gun. I don't think anybody walked out of a Timothy Dalton Bond feeling like they could conquer the world, but with Roger's we did. And we saw them more than once in cinemas. No matter how many actors play the role, he's the one I remember with most affection.
Experience the sheer magnificence of Q's final line! (by Nazi_Fighter_David)
When a Moonraker space shuttle, on loan from the United States to England, is hijacked, Bond is called in to investigate...Bond surely possess the latest knowledge about nuclear power and is able to fly a rocket ship... Bond's girls too have moved with the times and now join battle alongside him, fighting off the enemy with equal proficiency...It's nice to see Bond dressed as a Brazilian gaucho, galloping up to a 16th-century Benedictine monastery, and safecracking in a magnificent French chÃ¢teau...Roger Moore is seen humorous and light hearted, gliding through St. Mark's Square <more>
in his motorized gondola... He fights with a Chinese manservant in the Venice Glass Museum with great style, and stops himself from throwing a priceless bowl valued at Â£1 million... He takes out one speedboat with some mines, another with a torpedo and takes off on a hang-glider as his boat goes over the falls...Bond was initially surprised that a top rocket scientist at Drax Industries was an attractive young womanÂ… He set aside his aggressive attitudes when he realized that not only was Holly a fully trained astronaut on loan from NASAÂ—she was also a CIA agentÂ… She liked better working alone and he had to exhaust himself to win her overÂ…The eleventh Bond film seems to recycle a number of elements familiar from earlier adventures, most obviously Stromberg's hired killer, Jaws, played once again by Richard Kiel... Hugo Drax, the vengeful ex-Nazi of Fleming's novel, is reinvented as a psychotic who is obsessed with the conquest of space, and plans to wipe out the globe's population with a powerful type of nerve gas... His plan for mass murder completed, Drax will then repopulate the planet with his own master raceÂ… His fleet of shuttlesÂ—the MoonrakersÂ—which are based in South America, will transport his master race into spaceÂ… There they will live on a radar-invisible space station until Earth's depopulation has been completedÂ…Drax likes to play a little Chopin on his grand black piano, and enjoys a cucumber sandwich... His vanity leads him to control his ferocious hounds by the click of his fingersÂ… He brings from France every block of stone used on his California residence... According to his charming pilot, "What he doesn't own, he doesn't want!" and, like Auric Goldfinger, affects a desire to play English country sports...Michael Lonsdale's performance is astonishingly controlled and precise as Hugo Drax... There's something really scary about his true personality and character... He gives sarcastic remarks about 007: 'You appear with the tedious inevitability of an unloved season.' 'At least I shall have the pleasure of putting you out of my misery!' 'Mr. Bond, you persist in defying my efforts to provide an amusing death for you.'Jaws returns in "Moonraker" and adds some tension to the filmÂ… Richard Kiel has become something of a cult figure since his appearance in 'The Spy Who Loved Me'. He reappears as indestructible as ever... He impersonates Christopher Lee in Dracula mode, and has an entirely different trip down a mountain... His little scenes with a cute little blonde girl are very sweet... His despairing search for her on the disintegrating space station is wonderful... The bitter little smile he and Bond share as they prepare for their set-to atop the cable car is inspired...Corinne Dufour Corinne Clery becomes one of Bond's early bedmatesÂ… Corinne is Hugo Drax's beautiful helicopter pilot and executive assistantÂ… Unfortunately, in Drax's eyes, her amorous byplay with Bond also marks her for early elimination...Sadly, 'Moonraker' would mark the end of Bernard Lee's 45-year film career... Already visibly frail, Lee would succumb to stomach cancer; he died in London's Royal Free Hospital on 16 January 1981... Although he made a notable contribution to such outstanding mystery dramas as Carol Reed's 'The Third Man,' and Basil Dearden's 'The Blue Lamp,' it is for his definitive 'M' that he will be remembered...
Its one of the most obviously flawed Bond films but it is enjoyable and thats what counts for Bond (by MF210)
My Rating: *** out of ****. I have been reviewing James Bond films from the Volume 2 pack I got for Christmas. I have seen You Only Live Twice, Diamonds are Forever, and now Moonraker. So far out of those three the one that I like the best is You Only Live Twice. In fact, I hated Moonraker when I first saw it. I can honestly say now I have a favorable reaction towards Moonraker. Its not quite as good YOTL but it is certainly better than Diamonds are Forever. Like Diamonds, Moonraker is hailed as one of the worst Bond films. To be frank, it is easy to have that kind of reaction. The plot is <more>
absolutely preposterous: Bond in Space? That was my reaction the first time. It is quite obvious Moonraker has flaws, I mean nearly every Bond film has flaws. One disappointment about Moonraker is how terribly bland the Bond Girl turns out to be. Despite being attractive, Lois Chiles is dull as Holly Goodhead. She is definitely better than say Jill St. John as Tiffany Case but pales to the likes of Ursula Andress and Honor Blackman. This was one of the problems I had with Moonraker the first time I saw it and its still a problem here. Michael Lonsdale is solid as Drax but he still cannot stand up with the greater villains. In many ways Richard Kiel is much more memorable as Jaws. He has an undeniable screen presence and is not someone you would want to run into in an alley this happens in the film . Although he undoubtedly pales to Connery and even Brosnan, Roger Moore is quite good as Bond here. He has a certain charm that makes him memorable but at the same time his film gets a little silly. This is the first film I have seen with Moore as Bond. The special effects in Moonraker are quite impressive. They are at least close to being as good as Star Wars special effects. The action scenes are all done well. My favorite being the Cable Car scene. Moonraker will more likely be looked at as a weaker Bond. It is by no means a great film or a great Bond. But it is definitely a good Bond that for the most part will keep you entertained from start to finish.
At the end of 'The Spy Who Loved Me' we were promised that Bond would return in 'For Your Eyes Only'Â… that was before 'Star Wars' burst onto the world's cinema screens and suddenly everybody wanted science fiction! As well as tapping into the post 'Star Wars' demand for Sci-fi 'Moonraker' made use of space shuttles which a the time were still being prepared for they first flight. The film opens with the midair theft of a shuttle that is being loaned to Britain by its builder Drax Industries. Naturally Bond is assigned the case and is sent to <more>
California to meet Hugo Drax; the man whose company builds the shuttles. When people start trying to kill him it is clear that something untoward is doing on there. A document he sees leads him to Venice where he bumps into Dr. Holly Goodhead, a woman he first met at Drax's facility and who claimed to work for NASA. His searches lead to a lab that is manufacturing a deadly nerve gas. His next stop is in Rio where he bumps into Dr. Goodhead for a third time and discovers that she wasn't being entirely honest with him. After surviving a run in with Jaws he heads deep into the jungle and finds that Drax has built a shuttle launch facility. Sneaking onto a shuttle Bond and Goodhead are taken to Drax's orbital space station where they learn of his diabolical plan to kill everybody on Earth so he can repopulate it with his 'perfect people. Bond and Goodhead must stop him before he can succeed and in doing so the receive help from an unexpected quarter.This film is obviously best remembered for the rather far-fetched space battle at the end; this is a shame as there are plenty of great moments before they get there; Bond's brush with death in a giant centrifuge, his fight in a glass museum, a confrontation with Jaws on a cable car above Rio and a great boat chase where he hang-glides over a waterfall just to name a few. Roger Moore continues to do well as Bond and Richard Kiel makes a welcome return as the steel-toothed Jaws. Drax is played by Michael Lonsdale who does a fine job and has some great lines. Lois Chiles gets to be more than just a pretty face as Dr. Goodhead; fighting alongside Bond and even piloting a shuttle. I know a lot of people will find this film sub-par due to its bandwagon jumping Sci-fi elements but I rather enjoyed it; silly moments included!